The Life of a CIA Patsy with Media Complicity (Targeting the American People; Distracted With Left-Right Theater)

Abel Danger researchers present CIA/VICE operatives: 1) coin sociological category (think tank: “incel” catchphrase = involuntary celibate); 2) beta-test the concept online (focus groups); 3) scout for fresh talent (disgruntled/confused potential patsies); 4) reach out to patsies, develop a data trail; 5) offer “support”/drugs/”counseling” to target patsy; 6) guide patsy into convenient behavioural groove; 7) hire actors, stage “terror” scenario, using patsy as front person or other role if convenient; 8) broadcast mass propaganda and agitate for “change” (increased control/profit over target audience).

An offshoot of Operation CHAOS (CIA project):

Operation Chaos

Operation Mockingbird

Broadcasting Board of Governors


CIA up to their tricks again:

This Is What The Life Of An Incel Looks Like (HBO)


The music might provide a bit of relief from this constant psychological warfare/tension on our psyches to help reduce the trauma:

Girl Afraid


A Rush and a Push and the Land Is Ours


Source: Global Research

The CIA and the Media: 50 Facts the World Needs to Know

By James F. Tracy • Global Research, January 30, 2018

This article by Professor James Tracy first published in August 2015 is of particular relevance in relation to the “fake news” campaign directed against the alternative and independent media.

In a bitter irony, the media coverup of the CIA’s covert support to Al Qaeda and the ISIS is instrumented by the CIA which also oversees the mainstream media.

Since the end of World War Two the Central Intelligence Agency has been a major force in US and foreign news media, exerting considerable influence over what the public sees, hears and reads on a regular basis. CIA publicists and journalists alike will assert they have few, if any, relationships, yet the seldom acknowledged history of their intimate collaboration indicates a far different story–indeed, one that media historians are reluctant to examine.

When seriously practiced, the journalistic profession involves gathering information concerning individuals, locales, events, and issues. In theory such information informs people about their world, thereby strengthening “democracy.” This is exactly the reason why news organizations and individual journalists are tapped as assets by intelligence agencies and, as the experiences of German journalist Udo Ulfkotte (entry 47 below) suggest, this practice is at least as widespread today as it was at the height of the Cold War.

Consider the coverups of election fraud in 2000 and 2004, the events of September 11, 2001, the invasions Afghanistan and Iraq, the destabilization of Syria, and the creation of “ISIS.” These are among the most significant events in recent world history, and yet they are also those much of the American public is wholly ignorant of. In an era where information and communication technologies are ubiquitous, prompting many to harbor the illusion of being well-informed, one must ask why this condition persists.

Further, why do prominent US journalists routinely fail to question other deep events that shape America’s tragic history over the past half century, such as the political assassinations of the 1960s, or the central role played by the CIA major role in international drug trafficking?

Popular and academic commentators have suggested various reasons for the almost universal failure of mainstream journalism in these areas, including newsroom sociology, advertising pressure, monopoly ownership, news organizations’ heavy reliance on “official” sources, and journalists’ simple quest for career advancement. There is also, no doubt, the influence of professional public relations maneuvers. Yet such a broad conspiracy of silence suggests another province of deception examined far too infrequently—specifically the CIA and similar intelligence agencies’ continued involvement in the news media to mold thought and opinion in ways scarcely imagined by the lay public.

Please go to Global Research to read the entire article.


Complicity and treachery in the CIA-controlled and manipulated fake news media creating, controlling and manipulating the news narrative:

Dave Janda – 12 Attempts on President Trump’s Life Won’t Stop Indictments


Creating fake online personas remain undetectable (US military creating a false consensus).

CIA Manipulating Social Media (Operation Mockingbird)


If there are any speakers of French, this is an excellent deconstruction (decryption) of war journalism by Thierry Meyssan of Voltaire Network – really lucid about journalist-spies, their training, their teams, their missions, their propaganda techniques, their staged events, their camaraderie/rivalry… also the catch-22 of (targeted) countries accepting or not accepting foreign journalists. If any reader fluent in French would like to translate this for us, please drop the translation in the comment section below. Thanks.

THIERRY MEYSSAN decrypte “le Journalisme de Guerre “


More reading on the CIA’s control over the media including news print like the New York Times:

Declassified CIA Documents Show Agency’s Control Over Mainstream Media & Academia

Journalists Exposed as Secret CIA Operatives


Deconstructing the CIA-controlled media:

How the CIA Plants News Stories in the Media


Facebook is deeply involved with the propagation of fake news.

Facebook Eviscerated Over Spread of Fake News


The CIA is a far more sophisticated production company than anything Hollywood could come up with.

How the CIA Hoodwinked Hollywood


And then we come to Ramparts, also a CIA production front.

Ramparts Was Also a CIA Front


We’ll leave you with a little something to reflect on while trying to make sense of your personal circumstances in this world if you should be unfortunate enough to depend on the media or social media for your “news” and information. You are being “spooked.” The bottom line is we will at some point take the narrative away from the spook-run media.



Help Abel Danger‘s David Hawkins with his Reverse Engineering CSI storyboards by going to Patreon to take back the narrative on crime scenes the media will not report on. Abel Danger (AD) started as a two man team back in 2006. That was when aviation pilot whistleblower Field McConnell contacted David Hawkins, a Cambridge graduate and global forensics economist. Over a decade later, a globally based network of average people join us to listen, share and partake in our C2CSI (Cloud Centric Crime Scene Investigations). We invite you to help fund us through Patreon to prepare presentation treatments and plot points for up to five injured-community theater clubs where David and the AD team will describe in a series of ten minute videos the suggested names for each clubs, the cast of real characters to be played and the story lines which connect plot points and wrongful deaths with the use of patented devices at some of the most iconic crime scenes of recent times.



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