Oy Vey, Spielberg!

Source: Revisionist History

German WWII Vet Reviews ‘Saving Private Ryan’

April 28, 2019

Hans Schmidt

Editor’s Note: I am proud to call Hans Schmidt, the author of the following, my friend. I have had the privilege and honor to know several German WWII veterans personally, from Wehrmacht privates to Major-General Otto Ernst Remer, and I found each of them to be fine men and great human beings.

In the annals of modern history, I do not believe there are military veterans who have had to face the ordeal of vilification and falsification which these German veterans have endured. They are hated and reviled in spite of the fact that they generally fought cleanly and honorably in a war that can hardly be said to have been of their choosing.

Having met these men in the flesh, my intellectual convictions about the horrors of the fratricide that was World War Two were confirmed emotionally and personally. To regard these blood brothers of Americans as the enemy was the real “war crime.”

Spielberg’s “Pvt. Ryan” is about saving a surviving brother from the fate which befell his other siblings in the American army. But concern only for the life of the brother in American uniform is fatally short-sighted. Saving Private Fritz was just as necessary. To think otherwise is to engage in deadly self-hate masked by the slick celluloid of Spielberg.

It is this hatred for the image of the German stranger, who is in fact not a stranger, but the face in our own mirror, that is at the root of the rot we observe today in France, Britain and America. Where now is the civilization the Allied soldiers died to preserve?

Contrary to Spielberg’s suggestion that Western, Christian civilization was saved in WWII by the killing of Germans, the opposite obtained. One cannot make so colossal a blunder as to mistake one’s own brother for the enemy and compound that tragedy a million times and expect the restoration of anything.

I now present to you the only reaction I have thus far seen to “Saving Private Ryan” from one of those brothers our American countrymen sought to destroy. –Michael A. Hoffman II

Mr. Steven Spielberg
Dreamworks Productions
10 Universal City Plaza
N. Hollywood, Calif. 91609

Dear Mr. Spielberg:

Permit me, a twice wounded veteran of the Waffen-SS, and participant in three campaigns (Battle of the Bulge, Hungary and Austria) to comment on your picture, “Saving Private Ryan.”

Having read many of the accolades of this undoubtedly successful and, shall we say, “impressive,” film, I hope you don’t mind some criticism from both a German and a German-American point of view.

Apart from the carnage immediately at the beginning of the story, during the invasion at Omaha Beach, whereon I cannot comment because I was not there; many of the battle scenes seemed unreal.

You made some commendable efforts to provide authenticity through the use of several pieces of original-looking German equipment, for instance, the Schützenpanzerwagen (SPW), the MG 42s, and the Kettenkrad.

And, while the appearance of German infantry soldiers of the regular Army in the Normandy bunkers was not well depicted, the Waffen SS in the street fighting at the end of the film were quite properly outfitted.

My comment about the unreality of the battle scenes has to do with the fact that the Waffen-SS would not have acted as you depicted them in “Private Ryan.”

While it was a common sight in battle to see both American and Russian infantry congregate around their tanks when approaching our lines, this rarely if ever occurred with the Waffen-SS.

(The first Americans I saw during the Battle of the Bulge were about a dozen dead GIs bunched around a burned-out, self-propelled, tracked howitzer.)

Furthermore, almost all the German soldiers seen in “Private Ryan” had their heads shaved, or wore closely cropped hair, something totally in conflict with reality. Perhaps you were confusing, in your mind, German soldiers with Russians of the time.

Or else, your Jewishness came to the fore, and you wanted to draw a direct line back from today’s skinheads to the Waffen-SS and other German soldiers of the Third Reich.

Also, for my unit you should have used 18 or 19-year old boys instead of older guys. The average age, including general officers of the heroic Hitlerjugend division at Caen, was 19 years!

The scene where the GI shows his Jewish “Star of David” medallion to German POWs and tells them: “Ich Jude, ich Jude!” is so outrageous as to be funny.

I can tell you what German soldiers would have said to each other if such an incident had actually ever occurred: “That guy is nuts!”

You don’t seem to know that for the average German soldier of World War II, of whatever unit, the race, color or “religion” of the enemy didn’t matter at all. He didn’t know and he didn’t care.

Furthermore, you committed a serious error in judgment when, in the opening scenes of “Private Ryan” you had the camera pan from the lone grave with the Jewish star to all the Christian crosses in the cemetery.

I know what you wanted to say but I am sure that I was not the only one who immediately thereafter glanced over all the other hundreds of crosses one could see, to discover whether somewhere else was another Star of David.

And you know the answer. In fact, you generated exactly the opposite effect of what you had intended. Your use of that scene makes a lie out of the claim now put forth by Jewish organizations that during World War II Jews volunteered for service in numbers greater than their percentage of the general population, and that their blood sacrifice was (therefore) higher also.

I visited the large Luxembourg military cemetery where General Patton is buried and counted the Jewish stars on the gravestones. I was shocked by their absence.

After World War I, some German Jewish leaders mounted the same ruse: They claimed then and still do to this day that, “12,000 Jews gave their lives for the Fatherland,” which would also have made their general participation higher, which it was not. But perhaps the “12,000” figure is intended as a symbol denoting, “from our point of view, we did enough.”

During World War II, as now, about a quarter of the American population considered itself German-American. Knowing the patriotic fervor German-Americans harbor for America, we can be certain that their numbers in the Armed Forces were equal or higher than their percentage of the population.

Yet in “Saving Private Ryan” there was not one single German name to be heard or seen among the Americans.

Did you forget Nimitz, Arnold, Spaatz or even Eisenhower? Well, perhaps Capt. Miller from Pennsylvania was a German whose name had been anglicized. In omitting the American Germans you seem to have taken a cue from the White House at whose contemporary state dinners rarely someone with a German name can be found.

Well, maybe someone thinks that the abundance of German sounding names such as Goldberg, Rosenthal, Silverstein and Spielberg satisfies the need for “German-American” representation.

My final comment concerns the depictions of the shooting of German POWs immediately after a fire fight. A perusal of American World War II literature indicates that such incidents were much more common than is generally admitted, and more often than not, such transgressions against the laws of war and chivalry are often or usually excused, “because the GIs got mad at the Germans who had just killed one of their dearest comrades”.

In other words, the anger and the war crime following it was both understandable and, ipso facto excusable. In “Private Ryan” you seem to agree with this stance since you permit only one of the soldiers, namely, the acknowledged coward, to say that one does not shoot enemy soldiers who had put down their arms.

As a former German soldier I can assure you that among us we did not have this, what I would call, un-Aryan mindset.

I remember well, when in January of 1945 we sat together with ten captured Americans after a fierce battle, and the GIs were genuinely surprised that we treated them almost as buddies, without rancor.

If you want to know why, I can tell you. We had not suffered from years of anti-enemy hate propaganda, as was the case with American and British soldiers whose basic sense of chivalry had often (but not always) been dulled by watching too many anti-German war movies usually made by your brethren.

(For your information: I never saw even one anti-American war movie– there were no more Jewish directors at the UFA studios.)


Hans Schmidt

Related to the above:

Saving Public Myth



Next up was Steven Spielberg, who everyone knows directed Hanks in several movies, including Airplane, Poltergiest, and Joe versus the Pooch. Who can forget that moving scene in the latter where Private Joe Ryan fights his way across the killing fields of Belgium to reach the lunar module? And who could misremember those now legendary words, ‘Houston, have a box of chocolates!’ And who could have failed to be genuinely touched by honest human feeling when Ed Harris in a beret admits to him that the Moon is really a big metal beach ball? And who among us could have left the theater dry-eyed when Meg Ryan, playing Matt Damon, had to shoot ‘Pooch’ after his heroic fight with a rabid Nazi coyote? I myself felt positively sick with remorse until I saw one of Sally Field’s puppies steal some cornbread from Colonel Klink, at which point I understood that man was not meant to land on a big metal beach ball over a plastic ocean. No, he was meant to escape through a side door painted like fake clouds, where he could rendezvous with Kate Winslet. Anyway, Spielberg had some very poignant words for Hanks, whom he had always treated as a sort of challenged stepson. Pointing at Billy Crystal (sitting in a highchair nearby), Spielberg recommended that Hanks study his career closely: Billy, who had been presented not one but two Lifetime Achievement Awards before he hit the age of 40. Billy, who, if he followed the pattern of George Burns, could win as many as seven Lifetime Achievement Awards in one lifetime. Billy, who had not even needed to be in Bruce Almighty or Sleeping with Men in Philadelphia to cop Academy Awards for them. Billy, who, at some point in the late 90’s, had, by silent acclamation, been given the entire oeuvre of Alan Arkin, and any lifetime achievement awards that might produce in the future. Summing up, Spielberg admitted that he and George Lucas were really the same person, one on flubber and one not.”



This holocaust business never happened in America yet Americans are paying the price. Spielberg: Americans are not in abeyance to Jews and their definitions of free speech, so stop gas lighting us.

Source: Project for a New American Government

Steven Spielberg Calls for Mandatory Holocaust Indoctrination in US Schools

May 7, 2018 | by Corey Daniels

Renegade Editor’s Note: People thought Parkland’s “Holocaust Class” was a joke, but if Spielberg gets his way, our children won’t be able to graduate high school without being endlessly indoctrinated with this thoroughly debunked story of 6 million Jews getting gassed in showers.

Oy Vey! At a panel discussion over the weekend marking 25 years since the release of Schindler’s List (mind you, a film that is fictional!), Hollywood film director Steven Spielberg said that every public high school in the United States should be required to teach the Holocaust.

“It’s not a prerequisite to graduate high school, as it should be,” Spielberg said during the panel discussion held after a special screening of his 1993 film at the Tribeca Film Festival. “It should be part of the social science, social studies curriculum in every public high school in this country.”

[Read Steven Spielberg Urges Mandatory Holocaust Education from JPost]


Heather O’Rourke was selected by Spielberg after he apparently “noticed her in a mall.” O’Rourke at 5 years old was then in Spielberg’s 1982 movie Poltergeist that he wrote and produced.

Heather O’Rourke (RIP) died on February 1, 1988 at the age of 12 from “cardiac arrest and septic shock caused by a misdiagnosed intestinal stenosis” did she? (the coroner said she died from “an intestinal rupture.”

Owen Benjamin’s revelations (Owen has a dream) of Hollywood and Spielberg are a bit unsettling, so if readers are unsure don’t listen.

Enjoy, the finest army to have ever set foot on a battlefield, the Waffen SS the way they really were and not how Spielberg distorted them in his movie Saving Private Ryan. And remember, this is the Waffen SS and not representative of Hitler. It seems as though Hitler is going through a bit of historical revision himself as well. And let it be known, there were many Jews who served in the Waffen SS including officers and enlisted, more than we can say for the modern United States Army.

Spielberg, those 150,000 Jewish soldiers who served in the Waffen SS need a movie. And to honor them what about some of the greatest guitar playing ever with Steve Hackett playing Dark As The Grave; because that’s where we’re all headed – and it’s dark.

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